The Battle is Lost Within - Justin Johnson
Despite the abundance of tragic external circumstances we see characters go through in King Lear, the final blow in most characters’ downfall comes not from without but within. A character’s descent into grief to the point of experiencing death (or at least wishing for it) is often the culmination of a character’s personal tragedy in the story. The only clear exception to this trend in the final act of the play is Edgar, who is also seemingly the only character who managed to come out of the other end of the play’s events with his life and sanity intact. In his act as Poor Tom Edgar goes about as if mad, yet in this aspect he seems the only character who retains his rationality. Tragedies like King Lear tend to not have many heroes in our modern literary sense, but if any such character exists in this story it is Edgar of Gloucester.
Edgar has lost his station, his family, and his future as the Earl of Gloucester, yet he continues to try to make a life for himself. In his fall, Edgar puts his identity as heir of Gloucester to death so that he may live, however humble and miserable of a life that be. From Act 2 Scene 3:
“I will preserve myself; and am bethought to take the basest and most poorest shape […] Poor Tom, that’s something yet; Edgar I nothing am.”
Edgar sees what Lear at the play’s beginning unfortunately does not: that a life of little lived in truth is better than a life of luxury built on lies. From Act 4 Scene 1, on his wretched condition:
“Yet better thus, and known to be condemned, than still condemned and flattered.”
Not only is Edgar content with his own survival, but he also seeks to assist those who like him have also experienced a tragic fall, even his father whose ignorance cost Edgar his position in life. Unlike his half-brother Edmund, Edgar sees their father not as a political tool to be exploited, but as a loved one who should be protected. Because of this, when he comes back into contact with his father Gloucester (who has experienced a dramatic fall of his own) he shows him mercy through guiding him and seeking to uplift him from his sorry state. In Act 4 scene 1 Edgar finds his father in the same state as most of the characters in the play, in despair for his loss and ready to die. In a similar position himself, Edgar instead shows a sort of wisdom the other characters lack when in line 27 he says: “The worst is not, so long as we can say ‘this is the worst’”. He guides his father even in faking his attempted suicide to prolong his life a bit longer. When is father again expresses his wish to die in Act 5 Scene 2, Edgar responds:
“What, in ill thoughts again? Men must endure their going hence, even as their coming hither”
Edgar sees the merits of sticking it out to the end, even when his fortunes turn ill.
At the end of the play, we see that Edgar is a hero not only in his sympathy for those like him but also in his willingness to act when he has the opportunity to prevent more suffering. When he uncovers his brother’s plot with Goneril to cause her husband’s death and seize more power, he sets off to stop their plans and salvage whatever he can from the chaotic situation the kingdom has found itself in. When with his help Edmund and Goneril’s plans are foiled, they like Gloucester and Lear and many others throughout the story choose the path of death rather than to humble themselves and accept a lower station in life. The contrast between Edgar’s actions and those of everyone around him illustrate why he is the perfect choice to lead the country once so many others are dead at the conflict’s end. Unlike they who have shown their nature, Edgar has demonstrated that he knows how to be brought low and he knows how to abound. He showed himself faithful and honorable with little, and therefore in the end he found himself trusted with much.
Since Edgar was one of my favorite characters (aside from Kent), I really appreciated this study of his outlook! He has such a fascinating approach to life, where even if he himself is feeling intense grief and sorrow from betrayal and witnessing Lear's downfall, he still looks for the good. When he "reasons" with Gloucester about avoiding suicide, he says, "Think that the clearest gods, who make them honors of men's impossibilities, have preserved thee." (IV.6.73-74) This feels a bit like platonic reasoning to me, as Plato once described men's souls being like watchmen placed at posts by the gods. Life therefore had an innate value because God (or gods) had placed them there for a reason, and he does what he can for good because of this strong moral center. Edgar seems almost like one of the more "Christian" figures in King Lear, like you said, as in the play his steadfastness earns him a place in ruling the fractured kingdom.
ReplyDeleteWow. I love this post so much. Edgar is not the only good guy in this story or the only hero, but he certainly has the greatest success. Kent and Cordelia remain loyal as well but Cordelia is met with death at the end of the play. I find it fascinating that the two heroes who survived, Kent and Edgar, both disguised themselves, removing themselves from their place of power so they could remain loyal to those they loved and to their values. Jesus said, "many who are first will be last, and many who are last will be first" (Matthew 19:30). In the end, they both get their titles offered to them. They lowered themselves and are thus offered the chance to reap the rewards in the end.
ReplyDeleteJustin, when you told me you wrote on the whole play I was scared for something super long, but this is great. Edgar didn't really stand out to me much until the end, when he attempts to salvage what he can alongside aiding his father for nothing in return. This though shows me a character arc I missed but now thoroughly enjoy. Taken from future Earl to beggar in a day, he never truly folds on his ideals. I think we all can learn a lot from Edgar in the humility he shows, and the care he gives his father despite everything that happens to him.
ReplyDeleteI agree! Also I just realized this, but I think Edgar is the only one who travels all the way around Fortune's wheel without it having a profound/ adverse effect on his character. Edmund travels around the wheel from bad to good, but he embraced his illegitimacy (a type of bad fortune), which warped his character for the worst. Lear and Gloucester both learn to understand the meaning behind the wheel, but never fully succeed in "getting off" successfully. Edgar, however, is constant in his humility and compassion, no matter where he is on the wheel. Edgar has a rather tenacious moral and spiritual center that is initially unassuming, but later becomes mindblowing in retrospect. (Join the Edgar fan club today!)
DeleteI couldn't figure out how to edit my post so I'll just leave a comment here. I commented on Samantha, Bug, and Emma Dalgety's posts (I know I only needed two, but I wanted to chime in on all three and more)
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